{"id":115204,"date":"2026-05-09T12:07:09","date_gmt":"2026-05-09T03:07:09","guid":{"rendered":"https:\/\/home.ginza.kokosil.net\/en\/?p=115204"},"modified":"2026-05-09T12:07:09","modified_gmt":"2026-05-09T03:07:09","slug":"national-film-archive-announcement-of-screening-event-film-director-hirokazu-kore-eda","status":"publish","type":"post","link":"https:\/\/home.ginza.kokosil.net\/en\/archives\/115204","title":{"rendered":"[National Film Archive] Announcement of Screening Event: &#8220;Film Director Hirokazu Kore-eda&#8221;"},"content":{"rendered":"<\/p>\n<p><strong>Hirokazu Kore-eda<\/strong> (1962-), who consistently presents relevant themes and delicate visual expression in each of his works, is considered a leading contemporary Japanese filmmaker both in Japan and internationally. The National Film Archive, in collaboration with Bunfuku Co., Ltd., will be holding a special screening event <strong>, &quot;Film Director Hirokazu Kore-eda,&quot;<\/strong> to look back on his achievements, starting June 2nd (Tuesday).<\/p>\n<\/p>\n<div id=\"attachment_115198\" style=\"width: 266px\" class=\"wp-caption aligncenter\"> <a href=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/main-6.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-115198 colorbox-\" src=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/main-6-256x360.jpg\" alt=\"\" width=\"256\" height=\"360\" srcset=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/main-6-256x360.jpg 256w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/main-6-768x1082.jpg 768w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/main-6-640x901.jpg 640w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/main-6.jpg 994w\" sizes=\"auto, (max-width: 256px) 100vw, 256px\" \/><\/a><\/p>\n<p class=\"wp-caption-text\"> Screening poster<\/p>\n<\/div>\n<p> After joining the television production company Television Man Union, Kore-eda gained recognition as a TV documentary director, and in 1995, he released his first feature film, &quot;Maborosi.&quot; Utilizing his documentary experience, he established his own methodology and became an internationally recognized figure. His 2018 film &quot;Shoplifters&quot; won the Palme d&#039;Or, the highest award at the 71st Cannes International Film Festival.<br \/> This year, we have two upcoming releases: &quot;The Sheep in the Box&quot; (opening nationwide on May 29th), starring Haruka Ayase and Daigo (Chidori), and &quot;Look Back,&quot; a live-action film adaptation of Tatsuki Fujimoto&#039;s manga of the same name.<\/p>\n<\/p>\n<div id=\"attachment_115187\" style=\"width: 500px\" class=\"wp-caption aligncenter\"> <a href=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub1-5.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-115187 colorbox-\" src=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub1-5-490x360.jpg\" alt=\"\" width=\"490\" height=\"360\" srcset=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub1-5-490x360.jpg 490w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub1-5-768x564.jpg 768w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub1-5-640x470.jpg 640w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub1-5.jpg 1000w\" sizes=\"auto, (max-width: 490px) 100vw, 490px\" \/><\/a><\/p>\n<p class=\"wp-caption-text\"> <span style=\"font-size: 10pt\">&quot;The Phantom Light&quot; \u00a9TV MAN UNION, INC<\/span><\/p>\n<\/div>\n<div id=\"attachment_115188\" style=\"width: 375px\" class=\"wp-caption aligncenter\"> <a href=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub2-5.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-115188 colorbox-\" src=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub2-5-365x360.jpg\" alt=\"\" width=\"365\" height=\"360\" srcset=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub2-5-365x360.jpg 365w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub2-5-768x757.jpg 768w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub2-5-640x631.jpg 640w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub2-5.jpg 1000w\" sizes=\"auto, (max-width: 365px) 100vw, 365px\" \/><\/a><\/p>\n<p class=\"wp-caption-text\"> <span style=\"font-size: 10pt\">&quot;Nobody Knows&quot; \u00a9\ufe0e2004 &quot;Nobody Knows&quot; Production Committee<\/span><\/p>\n<\/div>\n<div id=\"attachment_115189\" style=\"width: 490px\" class=\"wp-caption aligncenter\"> <a href=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub3-4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-115189 colorbox-\" src=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub3-4-480x360.jpg\" alt=\"\" width=\"480\" height=\"360\" srcset=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub3-4-480x360.jpg 480w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub3-4-768x576.jpg 768w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub3-4-640x480.jpg 640w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub3-4.jpg 1000w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/a><\/p>\n<p class=\"wp-caption-text\"> <span style=\"font-size: 10pt\">Like Father, Like Son \u00a92013 &quot;Like Father, Like Son&quot; Production Committee<\/span><\/p>\n<\/div>\n<div id=\"attachment_115190\" style=\"width: 490px\" class=\"wp-caption aligncenter\"> <a href=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub4-4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-115190 colorbox-\" src=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub4-4-480x360.jpg\" alt=\"\" width=\"480\" height=\"360\" srcset=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub4-4-480x360.jpg 480w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub4-4-768x576.jpg 768w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub4-4-640x480.jpg 640w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub4-4.jpg 1000w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/a><\/p>\n<p class=\"wp-caption-text\"> <span style=\"font-size: 10pt\">\u201cMonster\u201d \u00a92023 \u201cMonster\u201d Production Committee<\/span><\/p>\n<\/div>\n<p> This project is <strong>the first large-scale retrospective screening in Japan<\/strong> to focus on the entire career of filmmaker Hirokazu Kore-eda. It features <strong>24 programs (30 works)<\/strong> , including feature films, early TV documentaries, and TV dramas, offering insights into Kore-eda&#039;s artistic identity.<\/p>\n<\/p>\n<h2> <span style=\"font-size: 14pt\"><strong>Highlights<\/strong><\/span><\/h2>\n<h3> <span style=\"font-size: 12pt\"><strong>\u25bc <u>A special screening tracing Kore-eda&#039;s filmography.<\/u><\/strong><\/span><\/h3>\n<p> From his debut feature film &quot; <strong>Maborosi<\/strong> &quot; (1995), which impressed with the emergence of a new talent, to &quot; <strong>Monster<\/strong> &quot; (2023), a collaboration with screenwriter Yuji Sakamoto that garnered attention and won the Best Screenplay and Queer Palm awards at the 76th Cannes International Film Festival, this exhibition traces Hirokazu Kore-eda&#039;s filmography spanning approximately 30 years. New prints and DCPs have been created for 11 of his feature films.<\/p>\n<h3> <span style=\"font-size: 12pt\"><strong>\u25bc <u>A rare opportunity to watch early TV documentaries and TV dramas on the big screen.<\/u><\/strong><\/span><\/h3>\n<p> Two of Kore-eda&#039;s early TV documentaries, which he himself says &quot;shaped the direction of my work afterward&quot;\u2014&quot; <strong>But&#8230; In an Era of Welfare Cuts<\/strong> &quot; (1991) and &quot; <strong>Another Education: A Record of the Spring Class at Ina Elementary School<\/strong> &quot; (1991)\u2014will be screened as special presentations. In addition, all 10 episodes of &quot; <strong>Going My Home<\/strong> &quot; (2012), Kore-eda&#039;s first television drama series, which was screened at the Rotterdam International Film Festival in 2013, will be shown on the big screen in Japan for the first time.<\/p>\n<\/p>\n<div id=\"attachment_115191\" style=\"width: 476px\" class=\"wp-caption aligncenter\"> <a href=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub5-3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-115191 colorbox-\" src=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub5-3-466x360.jpg\" alt=\"\" width=\"466\" height=\"360\" srcset=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub5-3-466x360.jpg 466w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub5-3-768x593.jpg 768w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub5-3-640x494.jpg 640w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub5-3.jpg 1000w\" sizes=\"auto, (max-width: 466px) 100vw, 466px\" \/><\/a><\/p>\n<p class=\"wp-caption-text\"> <span style=\"font-size: 10pt\">&quot;However&#8230; in an era of welfare cuts&quot; \u00a9TV MAN UNION, INC<\/span><\/p>\n<\/div>\n<div id=\"attachment_115192\" style=\"width: 490px\" class=\"wp-caption aligncenter\"> <a href=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub6-3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-115192 colorbox-\" src=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub6-3-480x360.jpg\" alt=\"\" width=\"480\" height=\"360\" srcset=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub6-3-480x360.jpg 480w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub6-3-768x576.jpg 768w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub6-3-640x480.jpg 640w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub6-3.jpg 1000w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/a><\/p>\n<p class=\"wp-caption-text\"> <span style=\"font-size: 10pt\">&quot;Another Kind of Education: A Record of the Spring Class at Ina Elementary School&quot; \u00a9TV MAN UNION, INC<\/span><\/p>\n<\/div>\n<div id=\"attachment_115193\" style=\"width: 551px\" class=\"wp-caption aligncenter\"> <a href=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub7-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-115193 colorbox-\" src=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub7-2-541x360.jpg\" alt=\"\" width=\"541\" height=\"360\" srcset=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub7-2-541x360.jpg 541w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub7-2-768x511.jpg 768w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub7-2-640x426.jpg 640w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub7-2.jpg 1000w\" sizes=\"auto, (max-width: 541px) 100vw, 541px\" \/><\/a><\/p>\n<p class=\"wp-caption-text\"> <span style=\"font-size: 10pt\">&quot;Going My Home&quot; Photo courtesy of Kansai Television<\/span><\/p>\n<\/div>\n<h3> <span style=\"font-size: 12pt\"><strong>\u25bc <u>A star-studded lineup of guests will gather for the talk event!<\/u><\/strong><\/span><\/h3>\n<p> A talk event featuring director Hirokazu Kore-eda and guests will also be held. The guests will include <strong>Arata Iura<\/strong> (actor), who has established himself in the film industry through Kore-eda&#039;s works such as his debut film &quot;Wonderful Life&quot; (1999) and &quot;DISTANCE&quot; (2001); <strong>Lily Franky<\/strong> (painter, writer, actor), who has shown an unparalleled presence in films such as &quot;Like Father, Like Son&quot; (2013) and &quot;Shoplifters&quot; (2018); <strong>Yayako Uchida<\/strong> (essayist), daughter of Kirin Kiki, who has appeared in many of Kore-eda&#039;s films; <strong>Yutaka<\/strong> Yamazaki (cinematographer), who has played a significant role in the visual expression of Kore-eda&#039;s works; <strong>Mikiya Takimoto<\/strong> (photographer, filmmaker), and other distinguished guests!<\/p>\n<\/p>\n<div id=\"attachment_115194\" style=\"width: 485px\" class=\"wp-caption aligncenter\"> <a href=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub8-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-115194 colorbox-\" src=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub8-2-475x360.jpg\" alt=\"\" width=\"475\" height=\"360\" srcset=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub8-2-475x360.jpg 475w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub8-2-768x582.jpg 768w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub8-2-640x485.jpg 640w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub8-2.jpg 1000w\" sizes=\"auto, (max-width: 475px) 100vw, 475px\" \/><\/a><\/p>\n<p class=\"wp-caption-text\"> <span style=\"font-size: 10pt\">&quot;DISTANCE&quot; \u00a9TV MAN UNION, INC<\/span><\/p>\n<\/div>\n<div id=\"attachment_115195\" style=\"width: 547px\" class=\"wp-caption aligncenter\"> <a href=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub9-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-115195 colorbox-\" src=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub9-2-537x360.jpg\" alt=\"\" width=\"537\" height=\"360\" srcset=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub9-2-537x360.jpg 537w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub9-2-768x515.jpg 768w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub9-2-640x429.jpg 640w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub9-2.jpg 1000w\" sizes=\"auto, (max-width: 537px) 100vw, 537px\" \/><\/a><\/p>\n<p class=\"wp-caption-text\"> <span style=\"font-size: 10pt\">&quot;Our Little Sister&quot; \u00a92015 Akimi Yoshida, Shogakukan \/ &quot;Our Little Sister&quot; Production Committee<\/span><\/p>\n<\/div>\n<div id=\"attachment_115196\" style=\"width: 547px\" class=\"wp-caption aligncenter\"> <a href=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub10-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-115196 colorbox-\" src=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub10-2-537x360.jpg\" alt=\"\" width=\"537\" height=\"360\" srcset=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub10-2-537x360.jpg 537w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub10-2-768x515.jpg 768w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub10-2-640x429.jpg 640w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub10-2.jpg 1000w\" sizes=\"auto, (max-width: 537px) 100vw, 537px\" \/><\/a><\/p>\n<p class=\"wp-caption-text\"> <span style=\"font-size: 10pt\">&quot;After the Storm&quot; \u00a92016 Fuji Television Network, Bandai Visual, AOI Pro., GAGA<\/span><\/p>\n<\/div>\n<div id=\"attachment_115197\" style=\"width: 490px\" class=\"wp-caption aligncenter\"> <a href=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub11-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-115197 colorbox-\" src=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub11-2-480x360.jpg\" alt=\"\" width=\"480\" height=\"360\" srcset=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub11-2-480x360.jpg 480w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub11-2-768x576.jpg 768w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub11-2-640x480.jpg 640w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2026\/05\/sub11-2.jpg 1000w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/a><\/p>\n<p class=\"wp-caption-text\"> <span style=\"font-size: 10pt\">\u201cShoplifters\u201d \u00a92018 \u201cShoplifters\u201d Production Committee<\/span><\/p>\n<\/div>\n<\/p>\n<h2> <span style=\"font-size: 14pt\"><strong>Films to be screened (24 programs, 30 films in total)<\/strong><\/span><\/h2>\n<p> \u2605 indicates a new print screening.<\/p>\n<p> 1. <strong>*Maboroshi no Hikari*<\/strong> (1995)<br \/> 2. <strong>*Wonderful Life*<\/strong> (1999)<br \/> 3. <strong>\u201cDISTANCE\u201d<\/strong> (2001)\u2605<br \/> 4. <strong>&quot;Nobody Knows&quot;<\/strong> (2004) \u2605<br \/> 5. <strong>Hana yori mo Naho<\/strong> (2006)<br \/> 6. <strong>*Still Walking*<\/strong> (2008) \u2605<br \/> 7. <strong>&quot;To Be Okay, Cocco&#039;s Never-Ending Journey&quot;<\/strong> (2008)<br \/> 8. <strong>*Air Doll*<\/strong> (2009) \u2605<br \/> 9. <strong>*Miracle*<\/strong> (2011) \u2605<br \/> 10. <strong>&quot;Going My Home Episode 1\/2&quot;<\/strong> (2012)<br \/> 11. <strong>&quot;Going My Home Episode 3\/4&quot;<\/strong> (2012)<br \/> 12. <strong>&quot;Going My Home Episode 5\/6&quot;<\/strong> (2012)<br \/> 13. <strong>&quot;Going My Home, Episodes 7 &amp; 8&quot;<\/strong> (2012)<br \/> 14. <strong>&quot;Going My Home Episode 9\/10&quot;<\/strong> (2012)<br \/> 15. <strong>Like Father, Like Son<\/strong> (2013)<br \/> 16. <strong>*Our Little Sister*<\/strong> (2015)<br \/> 17. <strong>&quot;Ishibumi&quot;<\/strong> (2016)<br \/> 18. <strong>*After the Storm*<\/strong> (2016)<br \/> 19. <strong>*The Third Murder*<\/strong> (2017)<br \/> 20. <strong>Shoplifters<\/strong> (2018)<br \/> 21. <strong>The Truth<\/strong> (2019)<br \/> 22. <strong>Baby Broker<\/strong> (2022)<br \/> 23. <strong>\u201cMonster\u201d<\/strong> (2023)<br \/> <strong>[Special screening]<\/strong><br \/> 24. <strong>Hirokazu Kore-eda&#039;s early TV documentary collection<\/strong> &quot;But&#8230; In an Era of Welfare Cuts&quot; (1991)<br \/> &quot;Another Kind of Education: A Record of the Spring Class at Ina Elementary School&quot; (1991)<\/p>\n<\/p>\n<h2 class=\"pr-header--highlight\"> <strong><span style=\"font-size: 14pt\">Event Overview<\/span><\/strong><\/h2>\n<p> Project Title: <strong>Film Director Hirokazu Kore-eda<\/strong> (English Title: Hirokazu Kore-eda Retrospective)<br \/> Dates: <strong>June 2 (Tue) &#8211; 28 (Sun), 2026 *Closed on Mondays<\/strong> Venue: <strong>National Film Archive, Nagase Memorial Hall OZU (2nd floor)<\/strong><br \/> Organizers: National Film Archive of Japan, Bunfuku Co., Ltd. Website: <a class=\"pr-link\" href=\"https:\/\/www.nfaj.go.jp\/film-program\/kore-eda202606\" target=\"_blank\" rel=\"nofollow ugc noopener\">https:\/\/www.nfaj.go.jp\/film-program\/kore-eda202606<\/a><br \/> Inquiries: 050-5541-8600 (Hello Dial)<br \/> Tickets: General admission 1300 yen, High school\/University students\/Seniors (65+) 1100 yen, Elementary\/Junior high school students 900 yen, Persons with disabilities (one accompanying person allowed in principle)\/Campus Members 800 yen<\/p>\n<\/p>\n<hr \/>\n<h2> <span style=\"font-size: 14pt\"><strong>Information on the release of Hirokazu Kore-eda&#039;s new film.<\/strong><\/span><\/h2>\n<p> <strong>&quot;The Sheep in the Box&quot;<\/strong><br \/> Officially selected for the competition section of the 79th Cannes International Film Festival, the film was brought home by a couple who had lost their son.<br \/> It was a humanoid.<br \/> Director, screenwriter, and editor: Hirokazu Kore-eda Cast: Haruka Ayase, Daigo (Chidori)<br \/> Distributed by: Toho, Gaga<br \/> Opening nationwide on May 29, 2026 (Friday) at TOHO Cinemas Hibiya and other theaters. \u00a92026 Fuji Television Network, GAGA, Toho, AOI Pro.<br \/> Official website: <a class=\"pr-link\" href=\"https:\/\/gaga.ne.jp\/hakononakanohitsuji\/\" target=\"_blank\" rel=\"nofollow ugc noopener\">https:\/\/gaga.ne.jp\/hakononakanohitsuji\/<\/a><\/p>\n<\/p>\n<p> <strong>Look Back<\/strong><br \/> Original story by Tatsuki Fujimoto, &quot;Look Back&quot; (published by Shueisha Jump Comics)<br \/> Director\/Screenplay\/Editor: Hirokazu Kore-eda Distribution: K2 Pictures<br \/> Released in 2026 \u00a9 Tatsuki Fujimoto\/Shueisha \u00a92026 K2 Pictures\u30fbShueisha Official website: <a class=\"pr-link\" href=\"https:\/\/k2pic.com\/film\/lb\" target=\"_blank\" rel=\"nofollow ugc noopener\">https:\/\/k2pic.com\/film\/lb<\/a><\/p>\n<\/p>\n<p style=\"text-align: right\"> <em>[Agency for Cultural Affairs] <a href=\"https:\/\/prtimes.jp\/main\/html\/rd\/p\/000001182.000047048.html\">Press Release<\/a><\/em><\/p>\n<\/p>\n<p> &lt;Related articles from the past&gt;<br \/> <a href=\"https:\/\/home.ginza.kokosil.net\/ja\/archives\/114082\">[National Film Archive] Announcement of the exhibition &quot;Revisiting the Art of Japanese Film Posters&quot;<\/a><\/p>\n<p> <a href=\"https:\/\/home.ginza.kokosil.net\/ja\/archives\/106928\">[National Film Archive] Announcement of the exhibition &quot;Film Director Andrzej Wajda&quot;<\/a><\/p>\n<p> <a href=\"https:\/\/home.ginza.kokosil.net\/ja\/archives\/105888\">[National Film Archive] Announcement of Exhibition &quot;50th Anniversary of the Death of Film Director Tomotaka Tasaka&quot;<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hirokazu Kore-eda (1962-), who consistently presents relevant themes and delicate visual expression in each of his works, is considered a leading contemporary Japanese filmmaker both in Japan and internationally. The National Film Archive, in collaboration with Bunfuku Co., Ltd., will be holding a special screening event , &quot;Film Director Hirokazu Kore-eda,&quot; to look back on his achievements, starting June 2nd (Tuesday). Screening poster After joining the television production company Television Man Union, Kore-eda gained recognition as a TV documentary director, and in 1995, he released his first feature film, &quot;Maborosi.&quot; Utilizing his documentary experience, he established his own methodology and became an internationally recognized figure. His 2018 film &quot;Shoplifters&quot; won<a href=\"https:\/\/home.ginza.kokosil.net\/en\/archives\/115204\" title=\"Read more\" >&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":115198,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49,47,48],"tags":[],"class_list":["post-115204","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture-en","category-event-en","category-news-en","content-print"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.4 - aioseo.com -->\n\t<meta name=\"description\" content=\"Hirokazu Kore-eda (1962-), who consistently presents relevant themes and delicate visual expression in each of his works, is considered a leading contemporary Japanese filmmaker both in Japan and internationally. 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The National Film Archive, in collaboration with Bunfuku Co., Ltd., will be holding a special screening event , &quot;Film Director Hirokazu Kore-eda,&quot; to look back on"},"aioseo_meta_data":{"post_id":"115204","title":null,"description":null,"keywords":null,"keyphrases":null,"focus_keyword":null,"additional_keywords":null,"truseo_locale":null,"primary_term":null,"canonical_url":null,"og_title":null,"og_description":null,"og_object_type":"default","og_image_type":"default","og_image_custom_url":null,"og_image_custom_fields":null,"og_image_url":null,"og_image_width":null,"og_image_height":null,"og_video":null,"og_custom_url":null,"og_article_section":null,"og_article_tags":null,"twitter_use_og":false,"twitter_card":"default","twitter_image_type":"default","twitter_image_custom_url":null,"twitter_image_custom_fields":null,"twitter_image_url":null,"twitter_title":null,"twitter_description":null,"schema_type":"default","schema_type_options":null,"schema":{"blockGraphs":[],"customGraphs":[],"default":{"data":{"Article":[],"Course":[],"Dataset":[],"FAQPage":[],"Movie":[],"Person":[],"Product":[],"ProductReview":[],"Car":[],"Recipe":[],"Service":[],"SoftwareApplication":[],"WebPage":[]},"graphName":"BlogPosting","isEnabled":true},"graphs":[]},"pillar_content":false,"robots_default":true,"robots_noindex":false,"robots_noarchive":false,"robots_nosnippet":false,"robots_nofollow":false,"robots_noimageindex":false,"robots_noodp":false,"robots_notranslate":false,"robots_max_snippet":null,"robots_max_videopreview":null,"robots_max_imagepreview":"large","priority":null,"frequency":null,"local_seo":null,"limit_modified_date":false,"ai":null,"breadcrumb_settings":null,"seo_analyzer_scan_date":null,"created":"2026-10-30 17:05:25","updated":"2026-10-30 17:05:25"},"aioseo_breadcrumb":"<div class=\"aioseo-breadcrumbs\"><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/home.ginza.kokosil.net\/en\/\" title=\"Home\">Home<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">\u00bb<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/home.ginza.kokosil.net\/en\/archives\/category\/news-en\" title=\"Ginza News\">Ginza News<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">\u00bb<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/home.ginza.kokosil.net\/en\/archives\/category\/news-en\/culture-en\" title=\"Ginza Culture\">Ginza Culture<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">\u00bb<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\t&#91;National Film Archive&#93; Announcement of Screening Event: \u201cFilm Director Hirokazu Kore-eda\u201d\n\t\t<\/span><\/div>","aioseo_breadcrumb_json":[{"label":"Home","link":"https:\/\/home.ginza.kokosil.net\/en\/"},{"label":"Ginza News","link":"https:\/\/home.ginza.kokosil.net\/en\/archives\/category\/news-en"},{"label":"Ginza Culture","link":"https:\/\/home.ginza.kokosil.net\/en\/archives\/category\/news-en\/culture-en"},{"label":"[National Film Archive] Announcement of Screening Event: &#8220;Film Director Hirokazu Kore-eda&#8221;","link":"https:\/\/home.ginza.kokosil.net\/en\/archives\/115204"}],"_links":{"self":[{"href":"https:\/\/home.ginza.kokosil.net\/en\/wp-json\/wp\/v2\/posts\/115204","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/home.ginza.kokosil.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/home.ginza.kokosil.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/home.ginza.kokosil.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/home.ginza.kokosil.net\/en\/wp-json\/wp\/v2\/comments?post=115204"}],"version-history":[{"count":1,"href":"https:\/\/home.ginza.kokosil.net\/en\/wp-json\/wp\/v2\/posts\/115204\/revisions"}],"predecessor-version":[{"id":115205,"href":"https:\/\/home.ginza.kokosil.net\/en\/wp-json\/wp\/v2\/posts\/115204\/revisions\/115205"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/home.ginza.kokosil.net\/en\/wp-json\/wp\/v2\/media\/115198"}],"wp:attachment":[{"href":"https:\/\/home.ginza.kokosil.net\/en\/wp-json\/wp\/v2\/media?parent=115204"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/home.ginza.kokosil.net\/en\/wp-json\/wp\/v2\/categories?post=115204"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/home.ginza.kokosil.net\/en\/wp-json\/wp\/v2\/tags?post=115204"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}