{"id":99390,"date":"2023-03-02T12:12:21","date_gmt":"2023-03-02T03:12:21","guid":{"rendered":"https:\/\/home.ginza.kokosil.net\/en\/?p=99390"},"modified":"2023-03-02T12:12:21","modified_gmt":"2023-03-02T03:12:21","slug":"released-a-large-work-with-a-motif-of-phoenix-and-dragon-sculptor-yushi-nishijimas-exhibition-zui-shou-a-continuation-of-time-will-be-held-from-april-28-friday","status":"publish","type":"post","link":"https:\/\/home.ginza.kokosil.net\/en\/archives\/99390","title":{"rendered":"Released a large work with a motif of phoenix and dragon. Sculptor Yushi Nishijima&#8217;s exhibition &#8220;Zui-shou &#8211; A continuation of time -&#8221; will be held from April 28 (Friday)"},"content":{"rendered":"<\/p>\n<p><strong>At the Pola Museum Annex (Ginza, Chuo-ku, Tokyo), sculptor Yuji Nishijima&#39;s first large-scale solo exhibition, &quot;Zui-shou &#8211; Continuation of Time-&quot; will be held from Friday, April 28, 2023 to Sunday, June 4, 2023. ) will be held.<\/strong><\/p>\n<\/p>\n<p> Yuji Nishijima&#39;s works form motifs by connecting parts of copper wire that he winds up in a spiral by himself. He has presented numerous sculptures and installations both in Japan and overseas, using animals that are closely related to mythology, such as deer, elephants, and yatagarasu. The works are composed of thousands of parts and woven together over a long period of time to create the depth of time. It stirs the imagination of invisible &quot;signs&quot; such as scenes.<\/p>\n<p> This exhibition will feature three works, including a new installation. Zuisho, which is used in the title, means a harbinger or auspicious omen that auspicious things will happen. In the pandemic situation of the past few years, Nishijima arrived at the motif of &quot;God&quot; while imagining bright signs and hopes, and will meet together as two masterpieces, the phoenix and the dragon. Please experience the powerful space that sparkles in silence.<\/p>\n<\/p>\n<div id=\"attachment_99387\" style=\"width: 550px\" class=\"wp-caption aligncenter\"> <a href=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2023\/03\/main-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-99387\" src=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2023\/03\/main-1-540x360.jpg\" alt=\"\" width=\"540\" height=\"360\" srcset=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2023\/03\/main-1-540x360.jpg 540w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2023\/03\/main-1-768x512.jpg 768w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2023\/03\/main-1-640x427.jpg 640w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2023\/03\/main-1.jpg 1440w\" sizes=\"auto, (max-width: 540px) 100vw, 540px\" \/><\/a><\/p>\n<p class=\"wp-caption-text\"> &quot;Kichi-shou&quot; 2021 Copper wire NAKANOJO BIENNALE 2021<\/p>\n<\/div>\n<p> \u300aExhibition Overview\u300b<br \/> Exhibition name: Yuji Nishijima &quot;Zui-shou &#8211; A continuation of time -&quot;<br \/> Dates: Friday, April 28, 2023 to Sunday, June 4, 2023 * Open every day during the exhibition Hours: 11:00 \u2013 19:00 (admission until 18:30)<br \/> Admission: Free Venue: Pola Museum Annex (Pola Ginza Building 3F, 1-7-7 Ginza, Chuo-ku, 104-0061)<br \/> <a href=\"http:\/\/www.po-holdings.co.jp\/m-annex\/\" target=\"_blank\" rel=\"nofollow ugc noopener\">http:\/\/www.po-holdings.co.jp\/m-annex\/<\/a><br \/> Access: Tokyo Metro Ginza 1-chome Station Exit 7 \/ 6 minute walk from Tokyo Metro Ginza Station Exit A9 Sponsor: Pola Orbis Holdings Co., Ltd. *Details are subject to change due to various circumstances. Please check the latest information on the gallery website before visiting.<\/p>\n<\/p>\n<div id=\"attachment_99385\" style=\"width: 550px\" class=\"wp-caption aligncenter\"> <a href=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2023\/03\/sub1-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-99385\" src=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2023\/03\/sub1-1-540x360.jpg\" alt=\"\" width=\"540\" height=\"360\" srcset=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2023\/03\/sub1-1-540x360.jpg 540w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2023\/03\/sub1-1-768x512.jpg 768w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2023\/03\/sub1-1-640x427.jpg 640w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2023\/03\/sub1-1.jpg 1500w\" sizes=\"auto, (max-width: 540px) 100vw, 540px\" \/><\/a><\/p>\n<p class=\"wp-caption-text\"> &quot;Zui-un&quot; 2022 Copper wire BIWAKO BIENNALE 2022<\/p>\n<\/div>\n<p> writer statement<\/p>\n<p> I am interested in people&#39;s &quot;existence&quot; and their &quot;signs&quot;.<\/p>\n<p> Feel what fills the space and give it shape.<br \/> Reconfigure the space from the given shape.<br \/> The &quot;signs&quot; are visualized by the shapes that can be sensed through the light.<\/p>\n<p> On the other hand, I think about &quot;presence&quot; and &quot;presence&quot; from the aspect of accumulation of time. The concept of time is added by using the parts of the copper wire that are twisted one by one by one&#39;s own hands to represent the time spent by oneself, and by using the accumulation to give shape.<\/p>\n<p> I want to create a double structure in space by making a visual &quot;sign&quot; and a world constructed from the concept of time exist at the same time, and use that phenomenon to directly question the senses.<\/p>\n<p> In recent years, while thinking about &quot;existence&quot; and &quot;sign&quot;, he uses &quot;God&quot; as a motif.<br \/> I think that &quot;God&quot; is another name for the &quot;sixth sense&quot; that people perceive.<\/p>\n<p> Yuji Nishijima<\/p>\n<\/p>\n<div id=\"attachment_99386\" style=\"width: 250px\" class=\"wp-caption aligncenter\"> <a href=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2023\/03\/sub2-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-99386\" src=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2023\/03\/sub2-1-240x360.jpg\" alt=\"\" width=\"240\" height=\"360\" srcset=\"https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2023\/03\/sub2-1-240x360.jpg 240w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2023\/03\/sub2-1-768x1152.jpg 768w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2023\/03\/sub2-1-640x960.jpg 640w, https:\/\/home.ginza.kokosil.net\/wp-content\/uploads\/2023\/03\/sub2-1.jpg 1000w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/a><\/p>\n<p class=\"wp-caption-text\"> &quot;Shinjin makami&quot; 2021 Copper wire 2021 NAKANOJO BIENNALE 2021<\/p>\n<\/div>\n<p> author profile<br \/> <strong>Yuji Nishijima<\/strong><br \/> <a href=\"http:\/\/yuji-nishijima.com\/\" target=\"_blank\" rel=\"nofollow ugc noopener\">http:\/\/yuji-nishijima.com\/<\/a><\/p>\n<p> 1969 Born in Kanagawa Prefecture<br \/> 1993 Graduated from Department of Sculpture, Faculty of Fine Arts, Tokyo University of the Arts<br \/> 1995 Graduated from Graduate School of Fine Arts, Tokyo University of the Arts, Department of Sculpture<\/p>\n<p> solo exhibition<br \/> 2022 &quot;Divinity&quot; (Choyodo Gallery Forest Ship\/Gunma)<br \/> 2021 &quot;Deification&quot; (tagboat Gallery\/Ginza)<br \/> 2020 &quot;Horizontal and Vertical, Points, Lines, Planes, Time, Space and Distance&quot; (VIENTO ARTS GALLERY\/Takasaki)<br \/> 2018 &quot;Particles of Light (tagboat Gallery\/ Ningyocho)<br \/> 2010 \u201cLight and Presence\u201d (metal art museum hikarinotani\/Chiba)<br \/> 2009 &quot;Contiguous Traces&quot; (Located 1, 2, Lower Staircase\/Ginza)<br \/> 2008 &quot;Signs of Presence&quot; (Gallery ef\/Asakusa)<br \/> 2007 &quot;The Shape of Happiness&quot; (ambiente\/Daikanyama)<br \/> &quot;Persona&quot; (Space Kobo&amp;Tomo\/Ginza)<br \/> 2006 Nobo\u30fbSpace Kobo&amp;Tomo\u30fbNobo Staircase\/Ginza<br \/> 2005 Galleria Grafica bis\/Ginza<br \/> 2004 Under the stairs \/ Ginza<br \/> 2002 Galleria Grafica bis\/Ginza<\/p>\n<\/p>\n<p> group exhibition<br \/> 2022 &quot;Dear Sir, I live here&quot; (former Hiromori Sake Brewery \/ Nakanojo Town, Gunma Prefecture)<br \/> &quot;BIWAKO Biennale 2022&quot; (Omihachiman City and Hikone City, Shiga Prefecture)<br \/> &quot;Pre-BIWAKO Biennale 2022&quot; (Former Imperial Villa Nijo Castle Kitchen\/Goseisho\/Kyoto)<br \/> Japanese Light x Hundred Steps (Hotel Gajoen Tokyo\/Tokyo)<br \/> Art Fair GINZA tagboat \u00d7 MITSUKOSHI (Ginza Mitsukoshi\/Tokyo)<br \/> &quot;newroll Select vol.1&quot; (gallery.studio.cafe newroll\/Gunma)<br \/> Akagi SUNdo (Sanyazawa Akagi Shrine\/Gunma)<br \/> tagboat Art Fair 2022 (Industrial Trade Center Hamamatsucho\/Tokyo)<br \/> 2021 &quot;Surface (Carving) Power&quot; (gallery.studio.cafe newroll\/Gunma)<br \/> &quot;Nakanojo Biennale 2021&quot; (Nakanojo Town, Gunma Prefecture) ~ &#39;11, &#39;15, &#39;17, &#39;19<br \/> &quot;TAGBOAT ART SHOW 2&quot; (Hankyu Men&#39;s Tokyo\/Tokyo)<br \/> The 22nd Japan-France Contemporary Art World Exhibition (The National Art Center, Tokyo)<br \/> Tobi Selection Exhibition \u201cExperience A4\u201d (Tokyo Metropolitan Art Museum\/Tokyo)<br \/> &quot;Art liberated area ESTA Nihonbashi&quot; (Nihonbashi Fukushima Building\/Tokyo)<br \/> &quot;Nakanojo Biennale 2021 PRELUDE&quot; (Nakanojo Town, Gunma Prefecture)<br \/> &quot;TAGBOAT ART SHOW&quot; (Hankyu Men&#39;s Tokyo\/Tokyo)<br \/> 2020 &quot;STAY SHANING&quot; (Hankyu Men&#39;s Osaka\/Osaka)<br \/> &quot;TAGBOAT x 100 Steps Exhibition&quot; (Hotel Gajoen Tokyo Designated Tangible Cultural Property 100 Steps \/ Meguro)<br \/> &quot;Art liberated area Ginza&quot; (Ginza Takagi Building\/Ginza)<br \/> 2019 &quot;Art liberated area Daikanyama&quot; (Tenoha Daikanyama\/Daikanyama)<br \/> &quot;Group exhibition Sky 2019&quot; (SYP\/Akebonobashi)<br \/> China-Japan Contemporary Art Exhibition (53 Art Museum, Guangzhou\/China)<br \/> &quot;Nakanojo Biennale 2019 PRELUDE&quot; (Nakanojo Town, Gunma Prefecture)<br \/> 2018 &quot;Chiang Mai \u00d7 Nakanojo Arts Exchange Exhibition [Synchronicity]&quot; (Chiang Mai University Art Center\/Thailand)<br \/> 2017 &quot;Metal Sculpture Exhibition &#8211; Takenori Hara and Twenty People&quot; (Iriya Gallery \/ Iriya)<br \/> 2014 &quot;Seven Days 7 People Exhibition&quot; (Galerie Shimon\/Akatsuki\/Ginza) \uff5e&#39;10, &#39;11, &#39;12, &#39;13<br \/> 2011 &quot;RE:2011 Challenge to Inspired Things&quot; (Ikebukuro)<br \/> 2010 &quot;Re: Process going back to 2010 \u2013 from worktable&quot; (GALLERIA PUNTO\/Ikebukuro)<br \/> &quot;STEELERS Artists who studied in the Sculpture Metal Room of Tokyo University of the Arts vol.7&quot; (Tennozu Central Tower)<br \/> 2009 &quot;Archives&quot; (Shinwa Art Museum\/Ginza)<br \/> 2008 &quot;RE:2008 Sculptor&#39;s Site &#8211; Case of 7 people -&quot; (GALLERIA PUNTO\/Ikebukuro)<br \/> &quot;2D and 3D Art Exhibition by Toshiei Artists&quot; (Saikaya\/Kawasaki)<br \/> 2007 &quot;RE:2007&quot; (GALLERIA PUNTO\/Ikebukuro)<br \/> &quot;conspiratio 4&quot; (Lux Gallerie\/Kyobashi)<br \/> &quot;Iron Tribe 2007 Exhibit&quot; (Burris Hall Art Gallery\/New Mexico USA.)<br \/> 2006 &quot;RE:2006&quot; (GALLERIA PUNTO\/Ikebukuro)<br \/> 2004 &quot;Seven 3D Exhibition vol9&quot; (Gallery52\/Iidabashi)<br \/> 2003 &quot;DISCOVERY2003&quot; (key gallery\/Ginza)<br \/> 1997 Received third prize at Concrete Art Museum Exhibition (Nagoya International Conference Center\/Nagoya)<br \/> 1993 &quot;MALL EXHIBITION 1993ll&quot; (TOKYO EAST21\/Toyocho)<br \/> &quot;MALL EXHIBITION 1993&quot; (TOKYO EAST21\/Toyocho)<\/p>\n<\/p>\n<p> artist in residence<br \/> 2022 &quot;BIWAKO Biennale 2022&quot; (Omihachiman City and Hikone City, Shiga Prefecture)<br \/> 2021 &quot;Nakanojo Biennale 2021&quot; (Nakanojo Town, Gunma Prefecture) &#8211; &#39;11, &#39;15, &#39;17, &#39;19<br \/> 2019 China-Japan Contemporary Art Exhibition and Residency (53 Art Museum, Guangzhou\/China)<br \/> 2018 Chiang Mai X Nakanojo Exchange Program (Chiang Mai University Art Center\/Thailand)<\/p>\n<\/p>\n<p> \u300aConcept video\u300b<br \/> NAKANOJO BIENNALE 2019 WORKS <\/p>\n<p id=\"p-iframe-movie-66089-1\"><iframe loading=\"lazy\" id=\"youtube-124f2cfefbd1825f8bf8695cf70a47cd-4403\" src=\"https:\/\/www.youtube.com\/embed\/kyMWilkK2y0?autoplay=0&amp;fs=1&amp;rel=0\" width=\"640\" height=\"390\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-gtm-yt-inspected-7=\"true\" data-gtm-yt-inspected-12=\"true\" data-gtm-yt-inspected-13=\"true\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<\/p>\n<\/p>\n<p style=\"text-align: right;\"> <span style=\"color: #999999;\"><em>[Pola Museum Annex] From <a style=\"color: #999999;\" href=\"https:\/\/prtimes.jp\/main\/html\/rd\/p\/000000033.000069355.html\">the press release<\/a><\/em><\/span><\/p>\n<\/p>\n<\/p>\n<p> &lt;Related articles in the past&gt;<br \/> <a href=\"https:\/\/home.ginza.kokosil.net\/ja\/archives\/98647\">&quot;Pola Museum Annex Exhibition 2023&quot; will be held from February 10 (Friday)<\/a><\/p>\n<p> <a href=\"https:\/\/home.ginza.kokosil.net\/ja\/archives\/95232\">A two-person exhibition by environmental artist Mariyo Yagi and contemporary artist Yuna Yagi, \u201cTracing the Earth\u2019s Crust,\u201d will be held at Ginza Pola Museum Annex from Friday, September 16th.<\/a><\/p>\n<p> <a href=\"https:\/\/home.ginza.kokosil.net\/ja\/archives\/94470\">The exhibition &quot;this is not a samurai&quot; by Tetsuya Noguchi, an artist who uses armor as a motif to question the inner nature and diversity of human beings, will be held at Ginza Pola Museum Annex from Friday, July 29th.<\/a><\/p>\n<div class=\"kokosil-place\" style=\"max-width: 600px; margin-bottom: 1em;\">\n  <a href=\"https:\/\/ginza.kokosil.net\/en\/place\/00001c00000000000002000000222fca\" onClick=\"javascript:if (window._gaq) { _gaq.push(['_trackEvent', 'map click', window.location.href, 'https:\/\/ginza.kokosil.net\/en\/place\/00001c00000000000002000000222fca']);}\">\n    <div class=\"kokosil-place-title\">\n      <div class=\"kokosil-place-title-icon\"><img decoding=\"async\" src=\"https:\/\/home.ginza.kokosil.net\/wp-content\/plugins\/wp-kokosil-v3\/kokosil-mark.png\"><\/div>\n      <div class=\"kokosil-place-title-name\">View information about<br>POLA MUSEUM ANNEX<\/div>\n      <div class=\"kokosil-place-title-pointing\"><img decoding=\"async\" src=\"https:\/\/home.ginza.kokosil.net\/wp-content\/plugins\/wp-kokosil-v3\/right-pointing.png\"><\/div>\n    <\/div>\n    <div class=\"kokosil-place-map\"><img decoding=\"async\" src=\"\/\/maps.googleapis.com\/maps\/api\/staticmap?sensor=false&zoom=16&size=600x300&markers=35.6742976775404%2c139.7679027915&language=en&key=AIzaSyDbwJHw8wS3tlSKN75CZpymcGGtsVIyQRA&signature=r0fbGFeLGlQkix0Z-fCaF7lM1NE%3D\" alt=\"\"><\/div>\n  <\/a>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>At the Pola Museum Annex (Ginza, Chuo-ku, Tokyo), sculptor Yuji Nishijima&#39;s first large-scale solo exhibition, &quot;Zui-shou &#8211; Continuation of Time-&quot; will be held from Friday, April 28, 2023 to Sunday, June 4, 2023. ) will be held. Yuji Nishijima&#39;s works form motifs by connecting parts of copper wire that he winds up in a spiral by himself. He has presented numerous sculptures and installations both in Japan and overseas, using animals that are closely related to mythology, such as deer, elephants, and yatagarasu. The works are composed of thousands of parts and woven together over a long period of time to create the depth of time. It stirs the imagination [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":99387,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49,47,48],"tags":[],"class_list":["post-99390","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture-en","category-event-en","category-news-en"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.4 - aioseo.com -->\n\t<meta name=\"description\" content=\"At the Pola Museum Annex (Ginza, Chuo-ku, Tokyo), sculptor Yuji Nishijima&#039;s first large-scale solo exhibition, &quot;Zui-shou - Continuation of Time-&quot; will be held from Friday, April 28, 2023 to Sunday, June 4, 2023. ) will be held. 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